The special effects become distractingly bad. Morgan’s presence does much to convert the viewer he convincingly plays the resident skeptic of miracles who’s turned into a believer by Alice. Screenwriter and first-time director Evan Spiliotopoulos delivers a promising setup, complete with the usual jump scares and creepy specters found in Hollywood supernatural horror. The more dupes who pledge themselves to Alice, the more souls Mary can sentence to Hell. But this sort of fervent devotion is precisely what Mary Elnor, the nineteenth-century witch inhabiting Alice, wants. And the local bishop (Cary Elwes) uses the spotlight to sell “Alice Saves” t-shirts and votive candles. Meanwhile, the church’s investigator, Monsignor Delgarde (Diogo Morgado, who has played Jesus more than once), can find no evidence to disprove the miracle. He selfishly fuels a media circus around Alice’s ability to help a wheelchair-bound boy walk and cure Father Hagen’s emphysema. Once a Pulitzer nominee who was ousted for making up stories, Gerry hopes his exclusive on a story with international reach will restore his former glory. The scenario is Ace in the Hole (1951) meets Saint Maud (2021), but don’t let that get your hopes up. In doing so, he unleashes a wispy presence calling itself Mary, which reveals itself to Alice, restores her senses, and helps her perform healing miracles. A firm atheist, Gerry smashes the doll for his story, working a local superstition angle. Cut to the present, where disgraced journalist Gerry Fenn, played with charm to spare by Jeffrey Dean Morgan, finds the doll under a tree while investigating a bogus story about mutilated cows. They condemn her soul inside a “kern baby” doll, hang her from a tree, and set her body ablaze. It’s 1845, and some angry Americans hammer a death mask onto an accused witch. The first shots evoke Mario Bava’s Black Sunday (1960). The movie feels like a knock-off of better franchises like The Conjuring and Insidious, despite the promising first half. As the resident priest, Father Hagan (William Sadler), reminds us in a quote from Martin Luther, “Where God builds a church, the devil builds a chapel.”Įven if you’re a person of faith, there’s no point in getting worked up over The Unholy, though many have. In a way, it raises some doubt about the dozens of sites the world over featuring supposedly authentic and “verified” miracles. The movie suggests that people who worship these apparitions might be devoting themselves to something false, even Old Scratch himself. But it’s a different Mary who has helped Alice, one compelled by Satan. Alice’s story is all the more sensational because she can suddenly hear and speak for the first time, though, quite impossibly, she speaks and even sings with absolute clarity. Based on the 1983 book Shrine by James Herbert, the screen story follows the media frenzy and religious hysteria after a deaf-mute teen, Alice, played by promising newcomer Cricket Brown, claims that the Christian Mother of God speaks to her. It takes the idea of Marian apparitions, where the Virgin Mary appears to seers in a display of supposedly divine origin, and turns them into a horror story. The Unholy is the kind of movie that brings religious extremists out of the woodwork.
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